The Track, a new poem by Sonia.
Darkness still remains regent
And I slip quietly from my bed,
Summoning the senior hound to join
My lonely and lovely journey.
Black magic silence beckons us
And how can we resist the call?
A slow and languid column of smoke
Rises quietly up into the navy sky,
Untroubled by any south-westerly,
As the early workers at the brewery
Conjure their intoxicating and celebrated drink.
Up behind Y Plas, I hear the rasping, gasping cough
Of Howard Griffiths, and sadly think
Tomorrow may not come for him.
Dawn is too sweet a word for the monochrome
And dismal scenes we race through.
My companion is like a small, pale ghost
As he forges ahead, his eyes glassy and other-worldly
In the sparse yellow light, chasing the host
Of night-time beings as they scurry away
Before the break of day.
The ancient railway has drifted from memory
But its spirit lingers on, with fragments
Of coal dust, weariness and a lust
For Felinfoel Double Dragon at the end of the shift.
Shadowy miners make their perpetual journey to the pit
Passing their own gravestones at Trebuan, oblivious to the present,
Forever trapped in a grim and sombre warp of time,
Hard-working faces blackened and caked in grime.
The cadaverous, grinning guard escorts this macabre host,
His smile never reaching his eyes.
I look , I see, I peep inside the secret lives
Of those who dwell quietly
Along the track of history and mystery and bikes and hikers….
They dwell snug and safe, houses warm and bright, and hug each other
Tightly and watch….
They live their lives on the other side, oblivious to the travellers,
The shivering movers in-between,
The people who walk and talk and cycle and dream their
Dreams along the eternal way from north to south
And back again.
They live their lives, and do not realise
What happens on the other side…..
A nappy, cereal and vest-clad child
Eyes fixed and wide,
Made blue and bold by the morning programme
As he watches entranced, standing firm
With his chubby flat feet and his baby shadow
Casting indigo bodies on the beige shag-pile.
The Night Garden holds him fast
While his knock-kneed stance denies him one last
Mouthful of that erstwhile warm and comforting slop
Called breakfast.
The subtle gradient speeds us along, down
Through serious trees and hedges, allowing
A swift and easy journey towards town.
The misty rain softens the air, Dog following
Closely, not daring to leave me amidst
The shadowy memories of the departing night.
A solitary cyclist fails to alert us of his silent approach.
We jump, hearts beating, eyes huge with fright
As the spectral form passes through into the cool, grey light.
The rugby field lies muddy and empty
Of the butch and blaspheming, lager-swilling
Players. Rivulets of water from last night’s deluge
Run relentlessly down the grassy slopes, spilling
And splashing onto the orange-lit track,
Making pools of gold which soak my shoes.
The Llanelli Star lies sad and sodden on the ground
As befits the fate of yesterday’s news.
We carry on, the rain in our faces, embracing the morning.
The awakening town stirs into reluctant life.
Bleach thrown over the speckled, splattered vomit,
By a man from Krakow, eradicates last night’s feast,
And the shapeless dark form of a wicked hobbit
Obstructs our path, the wheelie-bin has its own persona
In the dim and chilly twilight.
Onwards, always south, the sky brightens,
The chill breeze quickens and the sound of the boat-train
Lends a melancholic strain
To the whole struggling, yawning scene.
We turn around, we head for home, with cold paws and fingers,
Not wishing to linger
A moment longer than we should.
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