Interpol New Album Marauder Released August 24th on Matador Records – Single “The Rover” Impacts July 20th

INTERPOL NEW ALBUM MARAUDER [1]

RELEASED AUGUST 24TH ON MATADOR RECORDS

SINGLE “THE ROVER [2]” IMPACTS JULY 20TH WORLD TOUR INCLUDES ROYAL ALBERT HALL NOVEMBER 14TH UK FESTIVAL DATES INCLUDING BST HYDE PARK AND TRNSMT

“Marauder is a facet of myself. That’s the guy that fucks up friendships and does crazy shit. He taught me a lot, but it’s representative of a persona that’s best left in song. In a way, this album is like giving him a name and putting him to bed” – Paul Banks

But before he calls it a night, _Marauder_ has a few tales to tell. Pull up a chair, because you’ll want to hear this

Months of speculation come to an end today as details of the new Interpol album can finally be confirmed: One of the most critically and commercially acclaimed bands of the last decade and a half will release their sixth album, _Marauder [1],_ August 24th on Matador Records.

As you read this, Interpol is currently revealing all details (Themes!

Making-of! Album art!  Producer!  Visuals!) to a convergence of their most fervent fans and media, live from General Prim 30 in Mexico City via a livestreamed press conference.  Tune in HERE [2].

_Maraude_r’s first single, “The Rover” can be heard HERE [3], and will be performed live on _The Late Show with Stephen Colbert _tomorrow, June 8.

Interpol have also confirmed an initial run of worldwide tour dates, in addition to previously announced appearances at NYC’s House of Vans, Chicago’s Riot Fest and London’s Hyde Park with The Cure.  Fans that pre-order _Marauder_ directly from the Interpol store will get first access to ticket pre-sales for the new shows, which include Madison Square Garden, Hollywood Bowl, and Royal Albert Hall.

MARAUDER TRACKLISTING:

1. If You Really Love Nothing
2. The Rover [3]
3. Complications
4. Flight of Fancy
5. Stay in Touch
6. Interlude 1
7. Mountain Child
8. NYSMAW
9. Surveillance
10. Number 10
11. Party’s Over
12. Interlude 2
13. It Probably Matters

WORLDWIDE TOUR DATES:

JUNE

Mon 25th Wien, Austria, Arena Wien Open Air Tues 26th Sesta Al Reghena, Italy, Sexto Nplugged Weds 27th Zagreb, Croatia, INmusic Festival JULY Sun 1st Glasgow, TRNSMT Festival Thurs 5th Roskilde, Denmark, Roskilde Festival Sat 7th London, Hyde Park w/ The Cure AUGUST Fri 24th Brooklyn, NY, House of Vans September Fri 14th -16th Chicago, IL, Riot Fest OCTOBER Thurs 4th Los Angeles, CA, Hollywood Bowl w/ The Kills, Sunflower Bean Sat 6th Berkeley, CA, Greek Theatre w/ The Kills, Sunflower Bean NOVEMBER Tues 6th Tokyo, Japan, Akasaka Blitz Weds 14th London, Royal Albert Hall Sat 24th Copenhagen, Denmark, TAP1 Thurs 29th Paris, France, La Salle Pleyel FEBRUARY 2019 Sat 16th New York, NY, Madison Square Garden w/ Car Seat Headrest, Snail Mail

Interpol – Marauder Bio

It finally happened; somebody called the cops on Interpol. The long arm of the law caught up with Daniel Kessler, Paul Banks, and Sam Fogarino in 2017, as they worked on a new album inside the Yeah Yeah Yeahs’ rehearsal space in Manhattan. Even in its infancy, Marauder was shaping up to be a beast; an early practice session was so vigorous, it resulted in Sam hitting the drums so hard that he busted his kick drum. “That rarely happens, even with heavy-hitters,” says Sam. Eventually, the trio were playing with such force and volume, that a neighbor called the boys in blue on the boys in black, forcing them out of the practice space. “We ruined it for everyone,” reflects Daniel. “It seemed like you’re picking on the wrong rock band,” adds Sam with a laugh. “It’s not like we’re Mastodon. I mean, in certain circles, we’re considered wimps!” If that was ever the case, the Interpol captured on their sixth album are nothing of the sort. While many fans took time over the last 18 months to read about the band’s vital part in New York City’s early 21st century rock renaissance, or bask in the glory of their hugely successful 15th anniversary tour celebrating the seminal 2002 debut “Turn On the Bright Lights,” the trio have been quietly (sorry, LOUDLY) working on making sure they’re not just a cultural timepiece for music historians to study. The result is Marauder: an album that sways as well as it seduces, that pounds as well as it pouts, and that batters as well as it broods.

They’ve had some help along the way. For the first time since 2007’s Our Love to Admire, Interpol have opened themselves up to the input of a producer. For two-week spells between December of 2017 to April of 2018, they travelled to upstate New York to work with Dave Fridmann – famed for recording with Mercury Rev, Flaming Lips, MGMT, Spoon, Mogwai, and countless more. The New Yorkers arrived at his remote and frequently snowbound Tarbox Studios with most of Marauder tightly rehearsed and worked out. Fridmann made sure that their meticulous work in crafting a virile and visceral set of songs didn’t get flattened during recording. It was his

P.T.O

suggestion to skip the Pro Tools, and record directly two-inch tape. “That meant there was a limitation to the amount of things you could track,” explains Daniel. “You couldn’t add more overdubs because you would have to erase something else. You couldn’t really over-think too much of it.” It’s a decision that allows a leaner and more muscular Interpol to flex throughout the album. In the run up to writing and recording, Sam found himself immersed in soul drummers such as Al Jackson Jr (Otis Redding’s drummer) and 80’s funk producers Jimmy Jam and Terry Lewis. “How can I make shit swing?” was the question Sam repeatedly asked himself, and the answer is in the striding gallop of opener “If You Really Love Nothing,” the embellished skip ‘n’ bounce of “Stay in Touch” and the R&B swagger of closer “It Probably Matters.” Interpol have always been world-beaters at creating a feeling, but Marauder is where the feel is just as crucial.  Helping to achieve that is the band’s fast-learning bassist. “On El Pintor, we were riding on the novelty aspect of Paul playing bass, and enjoying what a good job he was doing,” says Sam, referring to the 2014 album the band recorded without original bassist Carlos Dengler. “But this time, it was a case of ‘you’re the bass player.’ I think now he felt comfortable to explore. He’s not just jumping into save the day, he’s applying himself and his voice as a bassist.”    Paul may have stepped out of the shadows as a bassist, but he’s stepping into an even brighter light as a songwriter. During Interpol’s previous albums, the singer largely kept himself out of his own work, preferring to fill his lyrics with detached thoughts, characters, and observations, often phrased in abstract. But more than 20 years on since forming at NYU, the frontman is finally allowing himself to play a role in his own stories. “I’m tryna simplify my scene,” he sings in “Complications,” and it’s a line that’s reflective of his desire to move forward.  “This record is where I feel touching on real things that have happened to me are exciting and evocative to write about,” he explains. “I think in the past, I always felt autobiography was too small a thing for me to reference. I feel like now, I’m able to romanticize parts of my own life.”

It’s an attitude that’s also reflected in the album’s cover; a Garry Winogrand shot of Attorney General Elliot Richardson, who cuts a lonely, isolated figure, naked to scrutiny in a spare and artificial looking room. “A lot of being accountable has to do with being honest,” says Paul, referring to both his lyrics, and the cover. A sense of reckoning is inextricably part of the album as a whole.
P.T.O

Like most, Paul has been many different people over the course of his life, and shades of them poke through throughout the album. Whether it’s the overly-curious narrator of “Now You See Me at Work, Dear,” the regretful soul looking back over a relationship in “Flight of Fancy,” or the rabble-rousing, magnet for trouble at the heart of “The Rover,” there are fascinating traces of a real person – past, present and future – entwined through many of the songs.

But it’s on “Stay in Touch” that the titular character comes closest to becoming flesh and blood. “Marauder chained of no real code/Marauder breaks bonds/Marauder stays long/Plays with the real face on,” croons Paul. You can almost feel, smell, and taste the danger associated with someone as headstrong and self-indulgent as this. But you want to be near it all the same.

“Marauder is a facet of myself,” concludes Paul. “That’s the guy that fucks up friendships and does crazy shit. He taught me a lot, but it’s representative of a persona that’s best left in song. In a way, this album is like giving him a name and putting him to bed.”

But before he calls it a night, Marauder has a few tales to tell. Pull up a chair, because you’ll want to hear this…